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“ …the passions
which drive Renaud Patigny down the road of authenticity have earned
him both the respect of other artists and the magic of seeing the
enthusiasm of the audience at his concerts.” |
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Pascale CARRIER
– Le Soir. |
| |
“…technically
perfect…” |
|
Jean
- Claude MONDO – Bluesboarder (B). |
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“…the neo–traditionalism
concocted by Patigny is a breath of fresh air and truly authentic.”
|
|
Jean
- Pol SCHROEDER – Jazz in Time (B). |
| |
“…a true mastery
of boogie-woogie…” |
|
CHENOT – Une autre
Chanson (B). |
| |
“…a sound, subtle
musician… shows a true mastery of his art … a far cry
from any attempt to gain mere popularity…” |
|
|
André JOASSIN – Le Soir. |
| |
“…really exciting…
so much energy…” |
|
Pierre THIRION – Vers l’Avenir. |
| |
“… highly recommended
for all lovers of blues and boogie piano.” |
|
Pat HAWES – Jazz
Journal (London). |
| |
“…the find of
the year… our favourite artist.” |
|
Jean - Luc FAVERLY – La Nouvelle Gazette. |
| |
“…a European
genius … a legend in the making…” |
|
Ben HULETTE – Everybody’s News (Cincinnati USA). |
| |
“…he plays this
repertoire with class, technique and feeling…” |
|
Philippe SAURET – Travel in Blues (Paris). |
| |
“…an exceptional
ambassador for boogie-woogie…” |
|
Patrick SMET – Back to the Roots (B). |
| |
“…the audience
was grabbed by the brilliant fingering and blinding technique which
Patigny brings to the music of the masters of boogie-woogie…”
|
|
Howard REICH – Chicago Tribune. |
| |
“…he plays this
style with the depth and maturity of a grey-haired veteran…”
|
|
David WHITEIS – The reader (Chicago). |
| |
“…perfect technique,
amazing rhythm, ten fingers which seem to hypnotise you…” |
|
Didier CHAUMIER – Blues Feelings (FR). |
| |
“…an incredible
result, perfect cohesion…” |
|
MJ Pollet - Nord Eclair (FR) |
| |
“…in constant
communion with an audience who were eating out of the palm of his
hand from the very first notes he played…” |
|
Bernadette Monnot – Blues Magazine (FR) |
| |
“…feats of technical
skill, it’s as though you’re listening to the original
masterpieces themselves.” |
|
Ned Torney – Keyboard Magazine (USA) |
| |
“…an amazing piece
of revival work…” |
|
Tom Hyslop – Blues Revue (USA) |